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[Released] 

Alien: Covenant IMAX [Fundamental Collection™ #021]

24 Replies, 20380 Views

Alien: Covenant IMAX [Fundamental Collection]

[Image: Alien_Covenant_Cover_small.jpg]

Original title: Alien: Covenant
Original runtime: 2h02m02s
Source: Blu-ray (for widescreen shots); Korean IPTV and Russian WEB-DL (for open matte & IMAX shots)
Video processing: combined Korean and Russian IMAX and open matte shots to get best quality; 35mm grain plate
Audio processing: none
Video format: x264 1920x1080 23.976fps VAR (widescreen OAR 2.40:1, IMAX and open matte 1.78:1)
Audio format: DTS-HD MA 7.1 English; DTS 5.1 French, German, Italian, Spanish, Russian; DD 2.0 224kbps English commentary
Subtitles: YAO black bars, English, French, German, Italian, Spanish, Russian (movie); French, German, Italian, Spanish, Russian (commentary)
Chapters: 24
Release notes: the amount of IMAX shots is around 12.5m while open matte shots total around 3m
YAO subtitles hack: this kind of subtitle overlay black bars on selected shots; it was tested on MPV and SMPlayer and may work even on hardware Blu-ray players; to have both black bars and another subtitle, you should use SMPlayer with YAO as first subs track, and the selected language as second subs track
Release format: BD-25 folder

Screenshots:

[Image: AC_IMAX_FC_009211.png]

[Image: AC_IMAX_FC_045457.png]

[Image: AC_IMAX_FC_098335.png]

[Image: AC_IMAX_FC_139459.png]

Mediainfo
Complete name : 00000.m2ts
Format : BDAV
Format/Info : Blu-ray Video
File size : 21.3 GiB
Duration : 2 h 2 min
Overall bit rate mode : Variable
Overall bit rate : 25.0 Mb/s
Maximum Overall bit rate : 35.5 Mb/s

Video
ID : 4113 (0x1011)
Menu ID : 1 (0x1)
Format : AVC
Format/Info : Advanced Video Codec
Format profile : [email protected]
Format settings, CABAC : Yes
Format settings, ReFrames : 4 frames
Codec ID : 27
Duration : 2 h 2 min
Bit rate mode : Variable
Maximum bit rate : 40.0 Mb/s
Width : 1 920 pixels
Height : 1 080 pixels
Display aspect ratio : 16:9
Frame rate : 23.976 (24000/1001) FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Color range : Limited
Color primaries : BT.709
Transfer characteristics : BT.709
Matrix coefficients : BT.709

Audio #1
ID : 4352 (0x1100)
Menu ID : 1 (0x1)
Format : DTS
Format/Info : Digital Theater Systems
Format profile : MA / ES Matrix / Core
Mode : 16
Format settings, Endianness : Big
Muxing mode : Stream extension
Codec ID : 134
Duration : 2 h 2 min
Bit rate mode : Variable / Constant / Constant
Bit rate : Unknown / 1 509 kb/s / 1 509 kb/s
Channel(s) : 8 channels / 7 channels / 6 channels
Channel positions : Front: L C R, Side: L R, Back: L R, LFE / Front: L C R, Side: L R, Back: C, LFE / Front: L C R, Side: L R, LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 spf)
Bit depth : 24 bits
Compression mode : Lossless / Lossy / Lossy

Audio #2
ID : 4353 (0x1101)
Menu ID : 1 (0x1)
Format : DTS
Format/Info : Digital Theater Systems
Mode : 16
Format settings, Endianness : Big
Codec ID : 130
Duration : 2 h 2 min
Bit rate mode : Constant
Bit rate : 768 kb/s
Channel(s) : 6 channels
Channel positions : Front: L C R, Side: L R, LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 spf)
Bit depth : 24 bits
Compression mode : Lossy
Stream size : 670 MiB (3%)

Audio #3
ID : 4354 (0x1102)
Menu ID : 1 (0x1)
Format : DTS
Format/Info : Digital Theater Systems
Mode : 16
Format settings, Endianness : Big
Codec ID : 130
Duration : 2 h 2 min
Bit rate mode : Constant
Bit rate : 768 kb/s
Channel(s) : 6 channels
Channel positions : Front: L C R, Side: L R, LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 spf)
Bit depth : 24 bits
Compression mode : Lossy
Stream size : 670 MiB (3%)

Audio #4
ID : 4355 (0x1103)
Menu ID : 1 (0x1)
Format : DTS
Format/Info : Digital Theater Systems
Mode : 16
Format settings, Endianness : Big
Codec ID : 130
Duration : 2 h 2 min
Bit rate mode : Constant
Bit rate : 768 kb/s
Channel(s) : 6 channels
Channel positions : Front: L C R, Side: L R, LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 spf)
Bit depth : 24 bits
Compression mode : Lossy
Stream size : 670 MiB (3%)

Audio #5
ID : 4356 (0x1104)
Menu ID : 1 (0x1)
Format : DTS
Format/Info : Digital Theater Systems
Mode : 16
Format settings, Endianness : Big
Codec ID : 130
Duration : 2 h 2 min
Bit rate mode : Constant
Bit rate : 768 kb/s
Channel(s) : 6 channels
Channel positions : Front: L C R, Side: L R, LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 spf)
Bit depth : 24 bits
Compression mode : Lossy
Stream size : 670 MiB (3%)

Audio #6
ID : 4357 (0x1105)
Menu ID : 1 (0x1)
Format : DTS
Format/Info : Digital Theater Systems
Mode : 16
Format settings, Endianness : Big
Codec ID : 130
Duration : 2 h 2 min
Bit rate mode : Constant
Bit rate : 768 kb/s
Channel(s) : 6 channels
Channel positions : Front: L C R, Side: L R, LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 spf)
Bit depth : 24 bits
Compression mode : Lossy
Stream size : 670 MiB (3%)

Audio #7
ID : 4358 (0x1106)
Menu ID : 1 (0x1)
Format : AC-3
Format/Info : Audio Coding 3
Mode extension : CM (complete main)
Format settings, Endianness : Big
Codec ID : 129
Duration : 2 h 2 min
Bit rate mode : Constant
Bit rate : 224 kb/s
Channel(s) : 2 channels
Channel positions : Front: L R
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 spf)
Bit depth : 16 bits
Compression mode : Lossy
Stream size : 196 MiB (1%)

Text #1
ID : 4608 (0x1200)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144

Text #2
ID : 4609 (0x1201)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144

Text #3
ID : 4610 (0x1202)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144

Text #4
ID : 4611 (0x1203)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144

Text #5
ID : 4612 (0x1204)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144

Text #6
ID : 4613 (0x1205)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144

Text #7
ID : 4614 (0x1206)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144
Delay relative to video : 3 s 87 ms

Text #8
ID : 4615 (0x1207)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144
Delay relative to video : 3 s 87 ms

Text #9
ID : 4616 (0x1208)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144
Delay relative to video : 3 s 87 ms

Text #10
ID : 4617 (0x1209)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144
Delay relative to video : 3 s 87 ms

Text #11
ID : 4618 (0x120A)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144
Delay relative to video : 3 s 87 ms

Text #12
ID : 4619 (0x120B)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144
Duration : 2 h 2 min

RELEASE PLACE: BLUTOPIA
Sadly my projects are lost due to an HDD crash... Sad
Fundamental Collection | Vimeo channel | My blog
Is x264 better/worse than H264?
For new members: Please do not ask where to get something. Participate in the forum, talk to people, make friends. Then someone will help you find what you want.
Note: the main differences between this version and the previous one are the following:
  • slight improved quality of 2.40:1 shots
  • slight lower quality of 1.78:1 IMAX and open matte shots, due to the exclusive use of Russian and Korean open matte sources combined together; but this avoid the difference between them and the overlaid BD used in the previous version, which lead to top and bottom "slices" with different quality, colors, brightness; now the IMAX and open matte shots are perfect, and completely subtitles and logo free
  • YAO black bars are still available, but now only selected players would display them properly (namely, MPV and SMPlayer)
  • a lot more audio and subs tracks available
Thanks to maksnew for the Russian open matte source, and needed audio/subs tracks.
Sadly my projects are lost due to an HDD crash... Sad
Fundamental Collection | Vimeo channel | My blog
(2017-09-07, 03:15 AM)Jetrell Fo Wrote: Is x264 better/worse than H264?

x264 is the encoder, which is H264 compliant; it is recognized by many as the best H264 (AVC) encoder available.
Sadly my projects are lost due to an HDD crash... Sad
Fundamental Collection | Vimeo channel | My blog
have someone a share online relase = ?
It's on the demonic tracker...
Sadly my projects are lost due to an HDD crash... Sad
Fundamental Collection | Vimeo channel | My blog
I watched the first 20 minutes of this last night and its absolutely stunning. I went to my local IMAX theatre to see Covenant when it came out and it was disappointing that they never showed any of the IMAX shots and it was a constant 2.35 : 1 (I never pay the extra for IMAX unless all or some of the movie has been shot using IMAX cameras). This edit clearly has taken spoRv alot of effort and time because from what ive seen on it so far looks great and transitions are seamless. I cant wait to watch the full movie of this cut which I shall be doing sometime this week and i'll report back here with a small review. I'll finally be able to get as close as i can get to the IMAX experience I paid for.

Thanks spoRv.
I second every bit of that. Thanks for all the work that went into this. It really is amazing what a difference it makes.
(2017-09-09, 02:43 PM)spoRv Wrote: It's on the demonic tracker...

is it possible that you send me a PM how i find this there, so but i am a noob, but i am lerining quick Wink Alien is my hot loved Franchise and i also still searching the Workprint of 3
(This post was last modified: 2017-09-13, 10:40 AM by xxstadtkindxx. Edit Reason: forgotting )
This is not a "get whatever you want by signing up site". Please contribute more than just requests for stuff you love.

Thank you.
For new members: Please do not ask where to get something. Participate in the forum, talk to people, make friends. Then someone will help you find what you want.

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