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The chances of this are probably pretty slim, unless someone develops an AI that does this kind of thing or you invest thousands of hours basically re-creating the 3D of the Open Matte.
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There is a really remote chance that one open matte broadcast would use the other "eye"...
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Terminator 2 3D was OAR scope everywhere unlike Titanic/Avatar, much to everyone's surprise (and my delight).
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For 2-D to 3-D converted titles which is almost everything now a days, the chances are almost zero.
For 3-D conversion, typically new left and right eye viewpoints are made. One eye may bear a closer resemblance to the original 2-D than the other, but still has manipulations, as well as sometimes having an occasional extra layer of particulates (sparks, snow, rain, debries, etc) that are not in the 2-D version.
Native (actually shot in 3-D) titles often have subtle grading differences, further adjustments, and/or stereo floating windows. So studio inventory would be L/R 3-D and 2-D versions.
3-D titles from the 80s may offer a tad more luck. I know Friday the 13th part III used sections of different eye sides for different transfers.