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Synced LD Tracks Completed

346 Replies, 20586 Views

16 BIT 44.1 KHZ FLAC Bitperfect

12 Monkeys [42785]
2010 (1984) [ML101661]
48 Hours (1982) [LV 1139-WS] to 4K Remaster
Action Jackson (1988) [ID5288LO]
Airplane! (1980) [LV 1305] to 4K Remaster
Apollo 13 [Signature Collection] [42679] PCM to 4K
Assassins [13987]
Andromeda Strain, The (1971) [13001] to Arrow Bluray
Avalon (1990) [70546] to WEB DL
A View to a Kill [NJEL-52739]
Blade Runner (1992) [12682] to 4K Final Cut
Blue Thunder (1983) [79336]
Blue Velvet (1986) [692] to Criterion Bluray
Born on the Fourth of July (1989) [41009]
Burglar (1987) [11705].to WEB DL
Braveheart [LV 33118-2WS] to 4K
Cape Fear (1991) [41105]
Chain Reaction [0413085] PCM
Color of Money, The (1986) [PILF-1433]
Cobra (1986) [11594 LV] (Eagle Stereo) to Shout Bluray
Coneheads (1993) [LV32874]
Crimson Tide (1995) [5255 AS] PCM
Daylight (1996) [43140] (PCM)
Deep, The (1977) [PILF-7209]
Demolition Man [12985]
Die Hard [1666-80] to 4K
Die Hard 2 Die Harder (1990) [1850-85]
Dirty Dancing (1987) [ID5172] (Stereo) to 4K
Dumb and Dumber (1994) [ID3004LI] to WEB DL (Theatrical Cut)
Eraser (1996) [PILF-2280] PCM
Every Which Way But Loose (1978) [1028] Stereo
Face Off (1997) [LV330553-WS] PCM
Field of Dreams (1989) [40884] to 4K
Fire Down Below (1997) [14914] (PCM) to WEB DL
Fugitive, The (1993) [NJWL-12408] and [21000]
Glengarry Glen Ross (1992) [LD 69921] to Shout Bluray
Goldeneye (1995) [ML105544] PCM
Grand Canyon (1991) [5596-85]
Gremlins 2 The New Batch [11886]
Kickboxer [ID7320HB] (1989)
Kids in the Hall Brain Candy (1996) [LV33148-WS] PCM
Killing Fields, The (1984) [12369]
Heat (1995) [14192] (PCM) to 4K WEB DL
Heathers [LVD9521] to 4K Remaster
Heavy Metal (1981) [LVD 10158]
Hot Shots! Part Deux (1993) [8507-80]
Hustler, The (1961) [1006-80]
Hunt for Red October, The (1990) [LV 32020-2L] to 4K
Invasion U.S.A. (1985) [ML100764]
Joe Versus The Volcano (1990) [11912] to WB Archive
Labyrinth (1986) [EHL-1094] to 4K
Last Boy Scout, The (1991) [NJL-12217] , [RWL-12217], [12217].
Leon the Professional [JVLF-77007~8] to 4K Extended Cut
Lethal Weapon (1987) [NJL-11709] and [12371]
Lethal Weapon 2 (1989) [NJL-11876] and [11876]
Lethal Weapon 3 (1992) [NJWL-12475] and [12475]
Lethal Weapon 4 (1998) [PILF-2694] PCM.
Licence to Kill [4755-80].
Lock Up (1989) [ID6814IV] to 4K
Lost Boys, The (1987) [NJL-11748]
Manhunter (1986) (Theatrical Cut) [411]
Maverick (1994) [13374]
Major League (1989) [LV 32270]
Monty Python Life of Brian (1979) [CC1504L]
Midnight Express [79306]
National Lampoon's Christmas Vacation (1989) [11889]
Never Ending Story, The (1984) [NJL-11399] to 4k
Nikita (1990) [KYLY-69009]
On Deadly Ground (1994) [13227]
Operation Dumbo Drop (1995) [5743 AS]
Out for Justice (1991) [12219]
Passenger 57 (1992) [12569]
Pink Cadillac (1989) [11877 AB] to WEB DL
Platoon (1986) [PSE95-59WS]
Red Heat (1988) [ID6244IV] 4K Sync 24fps
Rocketeer, The (1991) [1239 AS]
Rookie, The (1990) [12061]
RoboCop 2 [ID8014OR] P&S-SRD to Shout Bluray.
Rocky (1976) [ML100249]
Rocky II (1979) [ML100250]
Rocky IV (1985) [NJL-99555] and [4735-80] Theatrical Cut
Saint, The (1997) [PILF-2545] (PCM) to WEB DL
Scrooged (1988) [LV 32054].
Singles (1992) [12410]
Specialist, The (1994) [NJWSL-13574]
Speed 2 Cruise Control (1997) [PILF-2522] PCM
Starman (1984) [PILF-7235]
Striking Distance [53686]
Sudden Death [42777]
Streets of Fire [42871] to Shout Bluray
Teenage Mutant Ninja Turtles The Movie (1990) [ID7609IV]
Terminator 2 Judgment Day [LD 68952-2WS] to Lionsgate Bluray (Theatrical Cut)
Timecop [42242]
The Abyss [1561-85] to WEB DL (Theatrical Cut)
The Negotiator[16750] PCM
The' Burbs [40878] to Arrow Bluray
The Terminator [ID8316HD]
The Untouchables [LV 1886-2WS]
The Witches [671] P&S-SRD to WB Archive
Thomas Crown Affair, The (1968) [ML101260] to Kino
To Live and Die in L.A. (1985) [IDVL5123]
Tommy Boy (1995) [LV33131-WS]
True Lies [8640-85] PCM to WEB DL
Turbulence (1997) [LD 91387-WS] (PCM) to WEB DL
Uncommon Valor (1983) [LV1657-WS] to WEB DL
Virtuosity (1995) [LV33144-WS] (PCM)
Wayne's World (1992) [LV 32706-WS]
Wild At Heart (1990) [PV016F] (Mono)
Witness [LV1736-WS] to to 4K WEB DL

No normalization or processing used on the audio tracks.

SHARING WITH CONTRIBUTING MEMBERS ONLY

THANK YOU TO EVERYONE WHO PROVIDED THE CAPTURES!
(This post was last modified: 2022-01-02, 07:28 AM by ac3.)
Is there any downside to the audio being 48KHZ? Is it a bad idea to run them through an encoder to export them as 41.1KHZ?
(2021-10-01, 02:28 PM)uVSthem Wrote: Is there any downside to the audio being 48KHZ? Is it a bad idea to run them through an encoder to export them as 41.1KHZ?

Did you mean 44.1kHz?

What's the point to convert them back to 44.1?
So not good idea - unless you do NEED to do that, but I can't think any reason...
Sadly my projects are lost due to an HDD crash... Sad
Fundamental Collection | Vimeo channel | My blog
(2021-10-01, 04:20 PM)spoRv Wrote:
(2021-10-01, 02:28 PM)uVSthem Wrote: Is there any downside to the audio being 48KHZ? Is it a bad idea to run them through an encoder to export them as 41.1KHZ?

Did you mean 44.1kHz?

What's the point to convert them back to 44.1?
So not good idea - unless you do NEED to do that, but I can't think any reason...

LD digital audio is natively 44.1kHz right? Is the main reason to make the audio 48kHz to have it compliant with DVD and bluray spec?
(2021-10-01, 04:26 PM)uVSthem Wrote: LD digital audio is natively 44.1kHz right? Is the main reason to make the audio 48kHz to have it compliant with DVD and bluray spec?

Yep. But if no 44.1kHz version is available, but only 48kHz converted one, there is no point to add another conversion.

Best practice would be to release both 44.1kHz, if bit perfect, and converted 48kHz; if no bit-perfect capture card is used, the 44.1kHz would be, well... not perfect, hence IMHO would be better to capture the laserdisc analog output (if converters are good) to 48kHz 24bit, then adjust the levels and release track as 48/16.

Last note: it's useless to capture at more than 48kHz/24bit and release at more than 16bit.
Sadly my projects are lost due to an HDD crash... Sad
Fundamental Collection | Vimeo channel | My blog
There's no difference in sq
The reason I have 48 k files is cause I was using the free version of davinci resolve. I don't plan on redoing all of them I don't have all the timelines or original tracks
(This post was last modified: 2021-12-26, 11:43 PM by ac3.)
Thanks for the info. I wondering if converting the 48KHZ to 44.1KHZ would result in bit perfect audio since FLAC is a lossless codec. I keep all my movies on a hard drive so if anything, I guess I would save a little bit of space by having 44.1KHZ over 48KHZ.
Some on here prefer the 48 for bluray player compatibility. I don't use bluray players anymore so I wouldn't know. The 4k bluray of good bad and the ugly has an LD track at 48k
(This post was last modified: 2021-10-02, 12:42 AM by ac3.)
@uVSthem : do not quote entire posts!!! Long quote edited out.
Sadly my projects are lost due to an HDD crash... Sad
Fundamental Collection | Vimeo channel | My blog
Woah, my bad. Instinctively did as a reply.

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