I had the opportunity to obtain a direct rip of a Cinema DTS recorded digitally from a DTS-6D hardware decoder; I then compared that to the FooBar decoded version from .aud files.
The L C R channels are completely the same - zero difference!
But the SL SR and LFE were, as expected, different; when amplified to the same levels, they are different. Not a lot of difference, indeed.
This is due to different method of LFE extraction IMHO.
Apart the fact that it's a quite hard job to rip several tracks from an hardware decoder, without counting the difficulty to find a working one, does it worth the hassle? For the most purist ones maybe, but as the main channels L C R - the most important and used ones - are bit-perfect identical, and the differences on SL SR LFE are minimal, personally I think that the APT-X100 FooBar2000 plugin do a great job!
The L C R channels are completely the same - zero difference!
But the SL SR and LFE were, as expected, different; when amplified to the same levels, they are different. Not a lot of difference, indeed.
This is due to different method of LFE extraction IMHO.
Apart the fact that it's a quite hard job to rip several tracks from an hardware decoder, without counting the difficulty to find a working one, does it worth the hassle? For the most purist ones maybe, but as the main channels L C R - the most important and used ones - are bit-perfect identical, and the differences on SL SR LFE are minimal, personally I think that the APT-X100 FooBar2000 plugin do a great job!
Sadly my projects are lost due to an HDD crash...
Fundamental Collection | Vimeo channel | My blog
Fundamental Collection | Vimeo channel | My blog